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It might first interest you to know that the most common piece of outboard gear being used by our subscribers is Yamaha's SPX90. Needless to say, since the SPX90 was first introduced, many other manufacturers have responded with more powerful processors, processors with simultaneous effects, 16-bit processing, and more. The SPX1000 is Yamaha's answer to the competition. It is a very healthy processor, and one we're likely to see popping up in studios everywhere for some time. Most obvious of the features are extended sample time (5.8 seconds), true stereo processing, and simultaneous multiple effects. The long sample time translates into added features in many of the programs. In the FREEZE programs (the digital sampling programs), you have a maximum recording time of 5.8 seconds. Three types of FREEZE programs are available, and all three programs allow recording and overdubbing with variable playback pitch. Sample start and end points can be set for editing purposes. This function also makes it possible to set a start point at the end of the sample and the end point at the start of the sample and get the sample to play backwards. FREEZE 2 adds the ability to set a loop point in your sample for looped playback. FREEZE 3 is a stereo sampling program. Sample time is cut in half (2.9 seconds) to accommodate simultaneous sampling of both left and right channels. The extended sample time also affects the DELAY L,C,R program. This delay is a little different from most in that it includes a third channel, the center channel. Delay time for each channel is adjustable from.1 milliseconds to 5.2 seconds. There are two feedback delay parameters for this program, each adjustable up to 5.2 seconds. Each feedback delay has a gain control to set the amount of repeats to follow the initial repeat. All these parameters make for an exceptional delay program with numerous possibilities for special effects. The STEREO ECHO program also takes advantage of the extended sample time and offers left and right channel feedback delays of up to 2.6 seconds along with an initial delay for each channel of up to 2.6 seconds. The reverb programs include HALL, ROOM, VOCAL, PLATE, ECHO ROOM, GATE REVERB, REVERSE GATE, and 3 EARLY REFLECTION programs. There is more than enough diversity in these reverb programs to handle any reverb need. Reverb time can be adjusted as high at 480 seconds. That's 480 seconds, not milliseconds! Various other parameters give you ample control over reverb characteristics. All bases are covered in the reverb section. Modulation programs include your basic STEREO FLANGE, CHORUS, STEREO PHASING, TREMOLO, and SYMPHONIC. These are all very good sounding programs, each with a number of adjustable parameters for modifying the effect. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

The Blue Boy Deluxe is the king of smooth, singing low/medium gain sounds – a perfect pedal for blues and ‘fusion’ leads. The Blue Boy Deluxe has three times the gain of a traditional TS-style pedal but with less compression, providing an overdrive that is faithful to your original guitar tone. But what sets the Blue Boy Deluxe apart from most overdrives is the tonal shaping options available. Aside from the flexible TONE control, pre-gain bass can be dialled in with CHARACTER, MIDS can be cut or boost and top end tuned via BRIGHT. This pedal is truly a tweaker’s dream! GAIN – The gain control of the Blue Boy Deluxe is designed to have a wide sweep – about 60%, you have as much gain as a TS. TONE – High/Low balancing control tone control VOLUME – with output up to 25Vpp with correct power supply! MIDS – Dedicated midrange control CHARACTER – for adding ‘momentum’ to guitar notes, or keeping things tight BRIGHTNESS – for controlling top end content, and to help match the Blue Boy Deluxe to different amps USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

The COOLTRON Snake Charmer Compressor pedal uses a 12AU7 preamp-type tube at low voltage to deliver the kind of tone that, until now, would have been impossible to achieve in a battery-powered pedal. Tame your tone with the Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmer's compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant. There's also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer effect pedal is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal. Want to know how it all works? Normally, tubes are used at high voltages and this restricts their use in battery-powered devices such as guitar effects pedals. Historically, attempts have been made to use tubes at low voltages in what has been dubbed "starvation" mode, but these circuits don't allow the tube to function in an acceptable manner. The tube simply cannot be biased to a satisfactory operating condition. Plus, the necessary heater (filament) current is too high to deliver acceptable battery life. Imagine how annoying it would be to have to change batteries every ten minutes during a gig! Here's what makes the Vox COOLTRON system tick. The COOLTRON circuit basically operates by using two very special signal paths. The first is the servo circuit, which provides the right conditions between the plate of the tube and the grid. This achieves controllable, stable parameters for the tube and provides the correct operating conditions for the tube to function as it would if run at a higher voltage. The second circuit is a patented power supply that provides a low voltage, low current supply to the heater elements in the tube. Since the tube is now running at such a reduced supply level, the anode current is much smaller than normal. This means that the amount of heat required at the cathode to achieve sufficient cathode current emission is much smaller ” hence the ability to run the heaters at a lower level and for COOLTRON guitar pedals to run for 16 hours on 4 x AA batteries! The COOLTRON system provides true tube sonic performance at very low voltage and at reduced heater current ” ideal for inclusion into the COOLTRON Snake Charmer Compressor pedal. SPECIFICATIONS Connection: Input: x1 (guitar input), Output: x1 (line output) Input / Output Impedance: 830 k-ohm / 4 k-ohm Tube: 12AU7 (ECC82) Power Supply: Four AA alkaline batteries or DC9V AC adapter Battery Life: Approx. 18 hours Current Consumption: 95 mA Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63" (W) x 6.12" (D) x 2.52" (H) Weight: 1,007 g USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Vendo excelente Pedal Fuzz de la marca MJM con un sonido impresionante! Si andas buscando un buen pedal de fuzz, este es el pedal! Te da ese sonido clásico de Rock Británico de los años 70´s debido a sus tres transistores Germanio seleccionados a mano y un botón de tono que ofrece la posibilidad de variar la tonalidad del pedal. Es la versión mejorada del 2 Knobs!   A British-style fuzz using three hand-selected Germanium resistors for that classic late-60's sound. The 3-knob version has the addition of a tone knob and offers up a bit more low end, though a bit less sustain than the 2-knob version, this one has a more round sound. This is a classic sounding pedal perfect for anyone seeking that primitive "garage fuzz" that is truly unruly and not quite tameable. Features: Three Vintage Germanium Transistor Design Fat Low End Handmade in USA True Bypass Pedal Fuzz Mjm Brit Bender

Two great pedals in a single stompbox. The GT-500 Effects Pedal from Fulltone is a discrete FET Hi-Gain Distortion and Overdrive Booster in one box. You could think of them as 2 separate pedals, or think of them as stages to be linked together for endless combinations. The Hi-Gain side has Volume, Distortion knobs, Bass, Mid, and Highs minipots. Its Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. Hard-clipped distortion-the way most guitar pedals achieve distortion-at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amplike, and has ridiculous amounts of sustain even at low volume. It does the great chunky low-string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The Fulltone GT500 contains 9 FETs, 2 Mosfets, and 1 Transistor with no opamps or clipping diodes used. What's special about the EQ? The Hi-Gain side has a discrete Inductor-Driven Midrange circuit-never been done in a pedal before. There's a wah-wah inductor inside the pedal that gives the Midrange control its ability to drastically increase or decrease the entire Low Mid, Mid, and Hi-Mid frequencies, to comical proportions. All this is done without any opamps-this has 100% discrete matched FETs. This Mid control mixed with a strong Bass and Treble control help give the Fulltone GT-500 the ability to dial in more variations than a simple tone control, which can only roll off the Highs. The Series Select Switch allows you to choose which pedal comes first (allowing you to instantly change the order of the 2 circuits). For example: A clean boost slamming into the front end a Distortion sounds way different than a Distortion followed by the clean boost, and when the EQs of the respective sides come into play, it's a wide-open canvas. Regardless of which side of the effects pedal is designated as first in line, you can still use each side by itself, completely independent of the other side. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

**** NUEVO ***** 90 Manzanas vrds Impact Multiboom Light Stand And Reflector Holder - 13' (4m) #90 This is an Impact Convertible Boom Arm/Light Stand. As a light stand, it can support a small or medium light head to a height of 13' (4 m). Raise the second section completely, click, and it is a boom stand. As a boom, it can hold a small light head to an extension of almost 3' from the center of the stand. It is a reflector holder by means of its two clips, which can support an Impact, Flexfill, or Photoflex light disc as large as 60". A hole at the end of the arm allows an optional counterweight to be hung, for greater stability. #90 T

Descripción del articulo: Cuatro  opciones de color  para adaptarse a cualquier estilo       Certificado micrófono en línea * para ajustar el volumen, / Pausa / cambiar de pista de juego yresponder / finalizar llamadas       Los grandes conductores de 40 mm de ingeniería con un manejo de alta potencia / diseño de altaeficiencia EFECTOS  STEEZ: forma, función  y características  De los creadores de STEEZ, la primera línea de sistemas de audio dirigido a bailarines, viene una nueva familia de auriculares, inspirado en el emergente DJ y baile escena. STEEZ EFECTOS ofrece sonido sólido y de gran estilo en un paquete ligero aerodinámico. La familia STEEZ de auriculares, comenzando con los EFECTOS STEEZ, cuenta con el estilo polarizante, ajuste de sonido único, y el confort de escucha para todos los amantes de la música de todo el día.  Los nuevos efectos STEEZ son tan asequibles y sin embargo ofrecen que DJ sentir de los modelos de gama alta. Desde el exterior, cuatro diferentes colores, Negro, Blanco, Rojo y Café, da a los oyentes"mírame ahora" el estilo como la felpa, auriculares acolchados ofrecen confort de larga duración. En el interior, se obtiene la potencia y el rendimiento que se espera de Pioneer. Nuestra experiencia como la marca de auriculares DJ # 1 nos da la ventaja a la hora de diseñar los auriculares realmente sorprendentes y el mantenimiento de un precio de nivel de entrada. Características como cable de un solo lado, diadema ajustable, e incluyó Made for iPhone ® micrófono en línea con avance de pista / pista anterior, reproducir / pausa y el botón responder / finalizar llamadas da oyentes control total sin tener que tocar el teléfono. Especificaciones Specifications Cord     1.2 Meters Driver     40 mm Frequency      Hz Impedance     32 omhs Max Power      mW Sensitivity     104 dB/mW     These beautiful, awesome-sounding headphones are brand new and factory sealed in the original package. As you can see in the last two photos, both of the round, clear seals are in place. This is how you know these headphones were not "inspected" or tampered with by anyone. Make sure the headphones you buy are factory sealed! From The Manufacturer: Authentic Performance Inspired by Decades of Experience as the #1 Professional DJ Brand. Get closer to your music with our Steez dance-inspired sound tuning, which heightens the presentation and impact of beat-producing instruments. 40mm large drivers, mW max input power handling capability and 104dB sensitivity set a new standard for audio performance with realistic, lifelike sound. The in-line mic and control put the handsfree convenience a fingertip away while the interchangeable ear pads ensure comfortable fit during extended listening sessions.   Listen long  Listen in comfort with an ultra-light weight frame and soft, plush earpads.   Relentless Performance  Get full, accurate performance from large 40mm drivers engineered with a high power handling/high efficiency design.   Apple Certified In-line Microphone with control  Adjust the volume, play/pause/change tracks, answer/end calls all without having to touch your phone. Pioneer SE-MJ721I-R The first-ever line of audio systems geared toward dancers, comes a new family of headphones, inspired by the emerging DJ and dance scene. STEEZ EFFECTS offers solid sound and high-style in a streamlined, light-weight package. The STEEZ family of headphones, beginning with the STEEZ EFFECTS, features polarizing style, unique sound tuning, and all-day listening comfort for all music lovers. General Features: On-Ear Steez EFX Dance-Inspired Stereo Headphones On-ear design Large 40mm speaker driver produces amazingly clear sound Apple-Certified In-Line Microphone With Volume, Skip/Back and Answer/End Buttons Single-Sided Cord Tangle-free cable for convenient listening Adjustable headband for comfortable listening sessions Designed with a snug fit for active people Nickel-plated, corrosion-resistant stereo jack Great for computer gaming, Skype, etc. 1-year Manufacturer's Warranty Product Specifications: Frequency Response:   Hz Sensitivity:  104 dB Nominal Impedance: 32 Ohms Cord Length: 1.2m Maximum Input Power: mW Driver Units:  40 mm Ear Pad: Polyurethane (leather finish) Disponible solo color negro con borde rojo ENVIOS POR LOS MOMENTOS ESTAMOS REALIZANDO ENVIOS SOLO POR DOMESA O ENTREGAS PERSONALES  TODOS LOS ENVIOS SON A CUENTA Y RIESGO DEL COMPRADOR. LOS ENVIOS SE REALIZARAN UNICAMENTE AL SIGUIENTE DIA DE HABERSE CONFIRMADO EL PAGO DEL ARTICULO.  AL OFERTAR, USTED ESTA ACEPTANDO TODAS LAS CONDICIONES ESPECIFICADAS EN EL ANUNCIO, SI NO ESTA DE ACUERDO, NO COMPRE Las entregas personales se realizan en el centro de caracas cerca de la estacion la hoyada en horario de oficina, en la zona del paraiso de 10 a 7 pm o los fines de semana a convenir en un centro comercial. Audifonos Pioneer Se-mj721i Control De Volumen 40mm Steez Ef

M-Audio Octane 8-channel Microphone/Instrument Preamp and A/D Converter with ADAT Lightpipe Expand The Use of Your DAW! The 8-channel Octane preamp from M-Audio is specifically designed to enhance the front end of any multitrack digital recording system. Its award-winning M-Audio preamp technology delivers pristine digital signals to any Lightpipe-compatible devices such as hard disk recorders and digital mixers. Octane is ideal for miking drum kits or bands-and the two mic/instrument channels are great for guitar, bass and other instruments. M-S matrix encoding found in the Octane lets you employ stereo miking techniques previously available only in pro studios. Octane even has M-Audio analog preamp (direct) outs for each channel, making it the perfect upgrade for any digital audio interface or mixer. Word clock also means that you can sync multiple Octanes for as many channels as you need as your studio grows. M-Audio Octane Features: 8 mic preamp channels, 2 w/instrument inputs 8 line inputs ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout 3-segment LEDs 20dB pad phantom power with indicator (groups 1-4, 5-8) 2 channels are mic/instr preamps (front-panel 1/4" TS) ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout selectable sample rate (44.1k and 48k) and external sync word clock I/O (75-ohm BNC) for synchronization to other digital devices line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control phase reverse switches on even channels low-cut filter on channel 1 (-12dB/oct @ 80Hz) OVERVIEW High-octane preamplification with all the versatility you need! The M-Audio Octane 8-Channel Mic Preamp with ADAT Lightpipe adds connectivity and studio-quality preamps to your recording rig. Excellent for input-hungry miking applications. 2 mic/instrument channels provide input for guitars, basses, keyboards, and other instruments. Enables sophisticated stereo miking. Analog preamp direct outputs on every channel. ADAT lightpipe output. Word clock lets you sync multiple units. FEATURES 2 channels with mic/instrument preamps (front-panel 1/4") ADAT Lightpipe output (TOSlink) 24-bit audio resolution Selectable sample rate (44.1k and 48k) and external sync Word clock I/O (75-ohm BNC) for synchronization to other digital devices Line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control Phase reverse switches on even channels Low-cut filter on channel 1 (-12dB/oct @ 80Hz) 8 channels, each with: XLR mic input 1/4" TRS line input 1/4" preamp out 3-segment LEDs 20dB pad Phantom power with indicator (groups 1-4, 5-8) SPECIFICATIONS Mic Inputs Variable Gain: 50dB Frequency Response: 20-20kHz, +/- 0.11dB; mid gain Signal-to-Noise Ratio: 120dB, A-weighted; mid gain Dynamic Range: 120dB, A-weighted; mid gain THD+N: 0.00041% -107dB, 1dB below clipping, 22Hz-22kHz; mid gain EIA Noise Rating: -129dBu @ max gain, 600 ohms, 22Hz-22 kHz (unweighted) Input Impedance: 2.85k ohms, no pad; 3.600k ohms, pad engaged Instrument Inputs Input Impedance: 3M ohms Variable Gain: 44dB Frequency Response: 20Hz-20kHz, +/- 0.03dB; mid gain Signal-to-Noise Ratio: 133dB, A-weighted; mid gain Dynamic Range: 133dB, A-weighted; mid gain THD+N: 0.0018% -95dB, 1 dB below clipping, 22Hz-22kHz; mid gain System Throughput Gain: 6dB to 50dB (balanced out); 0dB to 44dB (unbalanced out) Line Inputs Line Input Impedance: 20kOhms (balanced), 13.3k ohms (unbalanced) Frequency Response: 20Hz-20kHz, +/- 0.04dB Signal-to-Noise Ratio: 110dB, A-weighted Dynamic Range: 110dB, A-weighted THD+N: 0.00067% -103dB, -1dBFS, 22Hz-22kHz Additional Features Maximum Rated Analog Output (Digital Clip): +26 dBu (balanced), +20 dBu (unbalanced) Output Impedance: 600 ohms (balanced) M/S matrix: L=M+S/3 and R=M”S/3 Digital Clip Level at Line Inputs: +20dBu Channel Quasi-Peak Level Indicators: Light 3dB, 10dB and 20dB below digital clip Word Clock Range (Switchable): 44.1kHz, 48kHz and external Word Clock Slave Sync Range: 33kHz to 59kHz Word Clock Impedance: 75 ohms Power: 18 VAC (16.5 VAC minimum) @ 3.5A inline power adapter USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

Atención: Por razones de puerto libre, al realizar la transacción el comprador deberá esperar por lo menos cinco (5) días hábiles, luego de haberse hecho efectivo el depósito, que es lo que tarda el seniat en gestionar y verificar la salida del producto de la isla. A menos que el comprador tenga algún conocido que pueda venir a buscarlo, se puede realizar la entrega en persona previo depósito bancario hecho efectivo.  Puedo aceptar cien regalos del amazonas. Mi descripción: Compré este pedal buscando una especie de speaker simulator de un amplificador rectificador. Efectivamente lo conseguí y mezclado con mi FullTone OCD lograba justamente la distorsión de un Mesa Boogie (visualizar minuto 6:16 del video). Al salir de la banda en la que me encontraba en ese momento, entré en otra de Rock N' Roll y cambié las prestaciones de mi sonido como guitarrista, así que empecé  usar este pedal como un exitador o clean boost y fué lo más parecido a tocar con un amplificador de tubo, incluso tocando a través de uno, dándole ese sonido que algunos llaman congelado o frío. Es lo máximo. Sin embargo ese mismo efecto lo consigo con un Xotic Compressor que ando buscando en este momento, si tienes uno, podríamos hacer negocio. Nota final: no es un pedal de distorsión y no recomiendo usarlo como tal porque satura demasiado. Es como un canal overdrive de un Mesa. Aunque puedes bajarle el gain y usar tu distorsión u overdrive y conseguirás un Mesa bajo tus pies. The pedal that started MI Audio, the Tube Zone Overdrive is a pedal with unparalleled flexibility, which excels equally well in low and high gain settings. The Tube Zone was designed with valve amp-like response in mind, and gets its unique tone by mimicking the signal path of modern valve amp by clipping the signal up to 4 times! A wide-ranging  DRIVE  control takes the Tube Zone from chiming, transparent overdrive to Rectifier-esque high gain in one sweep. Then add on the flexible MI tonal shaping controls of  BRIGHT,  TONE,  MIDS  and  CHARACTER  and you have a pedal that we can confidently say, does it all. GAIN  ? with unique taper to provide excellent control over overdrive. TONE  ? High/Low balancing control VOLUME  ? with output up to 15Vpp with correct power supply! MIDS  ? Dedicated midrange control CHARACTER  ? for adding ?momentum? to guitar notes, or keeping things tight BRIGHTNESS  ? for controlling top end content, and to help match the Tube Zone to different amps. PRESENCE (INTERNAL)  ? to further help dial in the Tube Zone?s tone. Mi Audio Tube Zone Como Nuevo.

Completely gear-driven design for slip-free, accurate, and repeatable focus movement This Follow Focus Integrated with A/B Hard Stops which have easy begin/end setups for fast repeatable racking between two points, and make focusing lenses that have no hard stops (such as Canon EF lenses) much easier. Mounts onto 15 mm Rod Support (60mm center to center difference). Gear drive can be mounted from both sides The white mark ring is made of magnet material. It can be detached or attached very easily and quickly on metal-made follow focus. Heavy-duty aluminum construction Enables use of standard accessories for the 15mm rod system May be used directly with a camera or in conjunction with a DSLR rig 1/4" & 3/8" threads on the bottom to mount to any tripod or rig

The Radial Tonebone Hot British Tube Drive Effects Pedal is tube overdrive distortion at its best! It's the perfect choice for huge, chunky rhythm; fat, scooped tones; and soaring, screaming solos. You get that natural, even harmonic distortion only a tube can provide - from the sound of a 4x12 double stack to the power-chord mayhem of metal thrashing over barbed wire, it's all here. 5 knobs and 3 switches make it easy to sculpt your tone the way you like. Level provides overall output level control to your amp. High and low EQ knobs let you fine-tune the tonal character, while the contour knob works with the Voicing switch to boost or cut the mids. The drive knob adjusts the input level for optimum distortion. For switches, the Top End offers Bright, Flat, and Dark settings to shape the feel and overall tone. Voicing shapes the tonal range to flat, scoop, or extra-fat. Mid Boost gives you a 7dB or 12dB boost to give your solos extra meat to cut through the mix. The heavy-duty footswitch controls a true-bypass circuit and a bright red LED can be seen on any stage. Includes power supply. FEATURES Aggressive, natural tube sound Extremely flexible tone shaping Rugged, high-end build quality Super quiet USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta