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M-Audio Octane 8-channel Microphone/Instrument Preamp and A/D Converter with ADAT Lightpipe Expand The Use of Your DAW! The 8-channel Octane preamp from M-Audio is specifically designed to enhance the front end of any multitrack digital recording system. Its award-winning M-Audio preamp technology delivers pristine digital signals to any Lightpipe-compatible devices such as hard disk recorders and digital mixers. Octane is ideal for miking drum kits or bands-and the two mic/instrument channels are great for guitar, bass and other instruments. M-S matrix encoding found in the Octane lets you employ stereo miking techniques previously available only in pro studios. Octane even has M-Audio analog preamp (direct) outs for each channel, making it the perfect upgrade for any digital audio interface or mixer. Word clock also means that you can sync multiple Octanes for as many channels as you need as your studio grows. M-Audio Octane Features: 8 mic preamp channels, 2 w/instrument inputs 8 line inputs ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout 3-segment LEDs 20dB pad phantom power with indicator (groups 1-4, 5-8) 2 channels are mic/instr preamps (front-panel 1/4" TS) ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout selectable sample rate (44.1k and 48k) and external sync word clock I/O (75-ohm BNC) for synchronization to other digital devices line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control phase reverse switches on even channels low-cut filter on channel 1 (-12dB/oct @ 80Hz) OVERVIEW High-octane preamplification with all the versatility you need! The M-Audio Octane 8-Channel Mic Preamp with ADAT Lightpipe adds connectivity and studio-quality preamps to your recording rig. Excellent for input-hungry miking applications. 2 mic/instrument channels provide input for guitars, basses, keyboards, and other instruments. Enables sophisticated stereo miking. Analog preamp direct outputs on every channel. ADAT lightpipe output. Word clock lets you sync multiple units. FEATURES 2 channels with mic/instrument preamps (front-panel 1/4") ADAT Lightpipe output (TOSlink) 24-bit audio resolution Selectable sample rate (44.1k and 48k) and external sync Word clock I/O (75-ohm BNC) for synchronization to other digital devices Line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control Phase reverse switches on even channels Low-cut filter on channel 1 (-12dB/oct @ 80Hz) 8 channels, each with: XLR mic input 1/4" TRS line input 1/4" preamp out 3-segment LEDs 20dB pad Phantom power with indicator (groups 1-4, 5-8) SPECIFICATIONS Mic Inputs Variable Gain: 50dB Frequency Response: 20-20kHz, +/- 0.11dB; mid gain Signal-to-Noise Ratio: 120dB, A-weighted; mid gain Dynamic Range: 120dB, A-weighted; mid gain THD+N: 0.00041% -107dB, 1dB below clipping, 22Hz-22kHz; mid gain EIA Noise Rating: -129dBu @ max gain, 600 ohms, 22Hz-22 kHz (unweighted) Input Impedance: 2.85k ohms, no pad; 3.600k ohms, pad engaged Instrument Inputs Input Impedance: 3M ohms Variable Gain: 44dB Frequency Response: 20Hz-20kHz, +/- 0.03dB; mid gain Signal-to-Noise Ratio: 133dB, A-weighted; mid gain Dynamic Range: 133dB, A-weighted; mid gain THD+N: 0.0018% -95dB, 1 dB below clipping, 22Hz-22kHz; mid gain System Throughput Gain: 6dB to 50dB (balanced out); 0dB to 44dB (unbalanced out) Line Inputs Line Input Impedance: 20kOhms (balanced), 13.3k ohms (unbalanced) Frequency Response: 20Hz-20kHz, +/- 0.04dB Signal-to-Noise Ratio: 110dB, A-weighted Dynamic Range: 110dB, A-weighted THD+N: 0.00067% -103dB, -1dBFS, 22Hz-22kHz Additional Features Maximum Rated Analog Output (Digital Clip): +26 dBu (balanced), +20 dBu (unbalanced) Output Impedance: 600 ohms (balanced) M/S matrix: L=M+S/3 and R=M”S/3 Digital Clip Level at Line Inputs: +20dBu Channel Quasi-Peak Level Indicators: Light 3dB, 10dB and 20dB below digital clip Word Clock Range (Switchable): 44.1kHz, 48kHz and external Word Clock Slave Sync Range: 33kHz to 59kHz Word Clock Impedance: 75 ohms Power: 18 VAC (16.5 VAC minimum) @ 3.5A inline power adapter USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

OVERVIEW Mono-channel tube preamp with natural warmth. The Alesis MicTube Solo preamplifier will add a warm, vintage tone to any of your microphone or instrument sources. Ideal for any recording or live setup, the MicTube Solo features an easy-to-use control layout and one of the most classic sounding, lowest-noise vacuum tubes: the legendary 12AX7. Aside from the tube, the MicTube Solo features a minimized circuit path, so it preserves the essence of the signal coming from the microphone faithfully. The MicTube raises the level of any mic up to line level, adding as much or as little of the tube' signature sound as you like. Two knobs and four buttons are all you need to optimize the MicTube Solo for virtually any setting. You™ll find a -20 dB pad switch for mics with hotter outputs or louder sound sources. A phase reverse switch helps you optimize multi-mic setups, and the MicTube Solo also provides +48 volt phantom power for any condenser microphone, plus an 80Hz high-pass filter. In additional to a standard 3-pin XLR jack for microphones, the MicTube Solo also gives you a 1/4", high-impedance DI jack for in plugging guitars and basses. Separate Gain and Drive (œvintage) controls allow you to dial in the perfect blend of level and tone, and a vintage-style VU meter is perfect for keeping an eye on things. Professional XLR and 1/4" outputs complete the professional package. FEATURES Tube microphone preamplifier 12AX7 low-noise vacuum tube adds warmth and musicality to digital recordings +20 dB Pad, phase reverse, and 80Hz high-pass filter Minimized signal path for clarity 48V Phantom Power for condenser mics Gain and Drive controls Vintage-style VU meter Quarter-inch, high-impedance DI input for instruments Warm-up your tone with the MicTube Solo. SPECIFICATIONS General Preamp bandwidth: 20 Hz 50 KHz / +2 dB ¢ Channels: One ¢ THD+Noise: 0.05% @ Gain +0 dBu (A-Weighting) Performance Output level (max): +22 dBu ¢ Noise floor: -88 dBu (+2 dBu) ¢ Signal to noise: >108 dBu Input Connectors: XLR and 1/4" ¢ Input impedance, XLR: 1.3 KÎ ¢ Input impedance, 1/4": 1 MÎ Output Output impedance, XLR: 51 Î ¢ Output impedance, 1/4": 51 Î Metering VU meter: -20 dBu +5 dBu ¢ Clip LED: +20 dBu Power supply 18v AC, 1000mA ¢ Peak inrush current: 978 mA Physical Weight: 0.7 kg (1.5 lbs) ¢ Size: 1U Rack Dimensions: 210mm 93mm 44mm (8.3 x 3.7 x 1.7) USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

Sintetizador M-Audio Venom como nuevo Muy poco uso En su caja con todos sus accesorios 250 VERDES Trabajo con Banco Mercantil al promedio y/o zelle en verdes NO ACEPTO EFECTIVO DE NINGUNA MONEDA Entrega en persona en la estacion metro Chacao y La California Se realizan envios siempre y cuando el comprador asuma el riesgo que ello implica MAS DE DIEZ AÑOS COMO MIEMBRO DE MERCADO LIBRE CON 99.9% DE REPUTACION POSITIVA EN MAS DE 300 TRANSACCIONES DE COMPRA VENTA SIN EMBARGO POR POCA ACTIVIDAD RECIENTE NO SE VE REFLEJADA EN LA REPUTACION cualquier duda pregunte con confianza Descripcion y especificaciones en ingles: 12-Voice Virtual Analog Synthesizer M-Audio Venom The M-Audio Venom 49-key synthesizer from Avid combines the character of classic analog synths with modern digital processing to deliver an aggressive, infectious new sound. Whet your appetite with the included presets, and then sink your teeth into creating original sounds—from atmospheric and subtle, to angry and downright nasty. Easily tweak parameters from the intuitive top-panel interface, or explore endless sound design and configuration possibilities with the included software editor. Perform bass lines, leads, and more with a full-size keyboard designed to satisfy serious players. You can even use Venom as an audio interface with Pro Tools and other music software—forming a powerful production machine to take your music in dangerous new directions. M-AUDIO VENOM AT A GLANCE Unique, aggressive new sound—combines the warmth of vintage keyboards with modern digital processing to deliver a fresh sonic signature Start playing right out of the box—includes 512 single-sound patches and 256 layered patches Endless sound design possibilities—use the intuitive real-time performance controls plus software editor to sculpt your sound Great playability—features a 49-key, full-size, synth-action keyboard 4 multitimbral parts—easily perform multi-part sequences that include drums, bass, synth parts, and more Ready for the stage and studio—Pro Tools compatible USB audio/MIDI interface means you can use the studio-standard DAW platform with Venom Top Features Venom offers a unique, aggressive sound that stands apart from the pack and is sure to inspire creativity. It combines intuitive hands-on controls with a comprehensive feature set—forming a powerful synth that will help you take music in wild new directions. Top features include: 49-key, full-size, synth-action keyboard 12-voice polyphony, each voice including: 3 oscillators with 41 waveforms and 53 drum sounds sampled from vintage analog synths, FM digital synths, and drum machines Pulse-width modulation, sync, FM, and ring modulation Resonant multimode filter with tube saturation limiting > 12 dB/octave (2-pole) low pass > 12 dB/octave (2-pole) band pass > 12 dB/octave (2-pole) high pass > 24 dB/octave (4-pole) low pass > 24 dB/octave (4-pole) band pass 24 dB/octave (4-pole) high pass 3 LFOs with selectable sample-and-hold 3 AHDSR envelopes 16 modulation routes 4-part multitimbral operation with independent MIDI-syncable phrase sequencers 512 onboard Single patches 256 onboard Multi (layered) patches 2 global bus effects Reverb, Delay, Chorus, Flanger, Phaser 1 insert effect per multitimbral part (4 total) Compression, EQ, Distortion, Bit Reduction, Decimation Classic arpeggiator with up, down, and alternating patterns Tap-tempo and manual BPM control from top panel Built-in USB 2.0 audio/MIDI interface (USB 1.1 backward compatible) 2 x 2 24-bit, 44.1 kHz operation Mic, instrument, and stereo line level inputs route to DAW Synth sounds route to DAW DAW audio output mixes into main outputs Stereo main audio outputs (1/4" TS) Stereo headphone output (1/4" TRS) Master volume knob; instrument and mic gain knobs MIDI In and MIDI Out (5-pin DIN) Large custom LCD 4 rotary encoders and 1 button for performance control and editing Dual-function octave up/down and transpose controls Assignable pitch bend and modulation wheels Sustain (1/4" TS) and expression (1/4" TRS) pedal inputs Included Vyzex Venom software editor Arrange sounds into banks, rename patches, and save backups Patch collider feature mashes up multiple patches to create new hybrid sounds 16-cell modulation matrix offers comprehensive routing configurations We're Avid From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listening to, most watched, and most loved media in the world. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen. The personal audio and video treasures that people make at home to preserve their favorite moments in life. Our innovative digital audio and video solutions continue to revolutionize the art of creative storytelling, and have earned us hundreds of awards, including two Oscar statuettes, a Grammy, and 14 Emmys. Minimum System Requirements Windows / PC Venom Audio/MIDI USB Driver Windows XP 32-bit (SP3)*, Windows Vista 32/64 (SP2), or Windows 7 32/64 1.8 GHz** multi-core processor Vyzex Venom Editor/Librarian Windows XP, Vista, or Windows 7 P4 equivalent processor 32-bit color graphics 1024x800 or larger display Mac Venom Audio/MIDI USB Driver Mac OS X 10.5.8 or 10.6.2 1.8 GHz* multi-core processor Vyzex Venom Editor/Librarian OS X 10.4, 10.5, or 10.6 PowerPC G5 or Intel processor 1024x800 or larger display * Home and Professional Edition only. Windows Media Center Edition is not supported. ** CPU may be higher for laptops. Avid suggests you also check the minimum system requirements for your software, as they may be greater than the above. Compatibility MME ASIO Core Audio / Core MIDI Compatible with Pro Tools M-Powered 8 or higher Compatible with Pro Tools 9 or higher Specifications Line Outputs* Max output level +6 dBV SNR and DF -99 dB / 99 dB THD+N +/- 0.2 dB Crosstalk 90 dB Line Inputs Max. input level 2.1 dBV SNR and DR -96dB / 96 dB THD+N -89 dB Frequency response +/- 0.2 dB Crosstalk -90 dB Headphone Outputs (into 32R)* Max output power 33 mW @ -88 THD SNR and DR -98 dB / 98 dB Frequency response +/- 0.2dB Crosstalk -60 dB Microphone Input at Min. Gain, No Pad (unless noted differently) Max. input level -2.2 dBu SNR -96 dB -75 dB DR 96 dB 75 dB THD+N -89 dB Frequency response +/- 0.2 dB Gain range 35 dB Input impedance 5.0k ohms Phantom power N/A Instrument Input at Min. Gain, No Pad (unless noted differently) Max. input level +10 dB -95 dB DR 95 dB 83 dB THD+N -88 dB Frequency response +/- 0.2 dB Gain range 35 dB Input impedance 1M ohms * This device is capable of outputting +12 dBV on the line outputs and 66 mW on the headphones. At these levels, the output noise performance will increase by 6dB. The rated output specs (+6 dBV, 33 mW) reflect what is capable with only USB as the source..