Are confident that with

Since our founding, we attached to top of "quality top, Service excellent and good post-sale". We are building and developing our Business based on the solid base of high quality and Good Credit. We are confident that with support our clients strong, we follow to establish long business relations term and friendly. We were a group created in 1991, including in England and the Netherlands, is a Dealer and exporter of instruments Music, computers, e and telecommunications consumenr and fields related products. Y we offices Netherlands and UK.  MSN: qualitygoods1@live.com Email: qualitygoods1@live.com qualitygoods3@gmail.com O Skype: - marketplaceltdAlesis DM6 DM-6 USB  express  Compact Electronic Drum Set---270usdThe New Yamaha DTXplorer Drum Kit----350usdRoland TD12KX Electronic Drum Kit Bundle----1000usdYamaha DTXtreme IIIS Standard Electronic Drum Set--------------1300usd Yamaha DTXPRESS IV Special Electronic Drum Kit---400usdYamaha DTX-Multi 12 Electronic Percussion Pad---300usdMapex saturn 6-piece studio drum set electric ---400usdAlesis DM10 Pro Electronic Drum Set-----400usdPearl VSX Vision Red Sparkle Drum Kit w/ Stands Pack---400usdAlesis DM10 Pro Electronic Drum Set-----400usd

Got good ears? Here's the flanger pedal for you. This all-analog tone monster puts iconic MXR flanger sounds (drawn right from the M117 pedal), into a smaller and even more pedalboard-friendly box. This re-creation of the famous '80s pedal gives you the same two controls to steer your sound: Speed and Regeneration. The Micro Flanger also stays true to its 100% analog bucket-brigade technology, so you get that warm and organic sound you love about analog gear. And with a true bypass design, you can feel confident that your tone is intact even when you're not using the MXR Micro Flanger. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA MXR M152 Micro Flanger Pedal Analog Flanger Effect Pedal with Speed and Regeneration Controls Got good ears? Here's the flanger pedal for you. This all-analog tone monster puts iconic MXR flanger sounds (drawn right from the M117 pedal), into a smaller and even more pedalboard-friendly box. This re-creation of the famous '80s pedal gives you the same two controls to steer your sound: Speed and Regeneration. The Micro Flanger also stays true to its 100% analog bucket-brigade technology, so you get that warm and organic sound you love about analog gear. And with a true bypass design, you can feel confident that your tone is intact even when you're not using the MXR Micro Flanger. ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO

Alicia Keys Piano KONTAKT THE SOUND OF AN ICON    DEL ESTUDIO DE ALICIA AL TUYO Junto con el especialista de sample el danés Thomas Skarbye (más conocido por el nombre de su empresa Scarbee) y el experto en respuesta de impulsos Ernest Cholakis, Alicia Keys ha creado un piano virtual que cumple con sus estándares profesionales y encarna el sonido conmovedor que se ha convertido en su marca registrada como súper estrella. Éste es el sonido de piano que ha ayudado a ganar a la Srta. Keys múltiples Grammys y llegar a la cima de las listas. Se hicieron samples de la interpretación de ALICIA'S KEYS, grabadas en el propio estudio de la aartista, bajo la supervisión de su ingeniera de confianza, Ann Mincieli. Visualiza el vídeo de funciones del producto Escucha los ejemplos de sonido   LAS PROPIAS CLAVES DE ALICIA Las samples de instrumentos provienen del propio piano de cola Yamaha C3 Neo ™ de Alicia Keys. Este instrumento único, altamente codiciado, se construyó para celebrar el 100 aniversario de Yamaha en y representa la gama más alta de la línea Conservatory Collection. El sonido exquisito y único de Neo C3 ha sido capturado con esmero por Thomas Skarbye, el mago del guión Kontakt Nils Liberg y la ingeniera galardonada con un Grammy Ann Mincieli, poniendo este instrumento exclusivo al alcance de todos. Utilizando micrófonos vintage y preamplificadores y mediante el análisis detallado de la interpretación de Alicia, el equipo consiguió capturar el sonido cálido, conmovedor e inspirador de C3 Neo hasta los matices más sutíles. La propia Alicia dice: "I feel confident that we came up with the best virtual piano you've ever heard and I am excited to introduce it to you! Ann, Thomas and Nils are a brilliant team!"   SER AUTÉNTICO Se ha hecho un gran esfuerzo para hacer ALICIA'S KEYS lo más auténtico posible. Diseñado con una precisión increíble, e incorporando detalles sutiles, como la ruidos de liberación mecánicos, un sistema de resonancia y liberación especialmente desarrollado, e incluso el sonido de los dedos golpeando las teclas (opcional), este instrumento único ofrece raudales de vivo realismo. Tanto que de hecho, la misma Alicia Keys lo ha usado de forma exclusiva en su más reciente álbum The Element of Freedom. RECOMENDACION IMPORTANTE: VERIFICA LOS REQUISITOS MINIMOS DEL SISTEMA PARA ESTE SOFTWARE ANTES DE COMPRARLO. RECUERDA REALIZAR TODAS TUS PREGUNTAS ANTES DE OFERTAR. SE REALIZAN ENVIOS A TODAS PARTES DEL PAIS POR LA EMPRESA DE SU PREFERENCIA. SE REALIZAN ENTREGAS PERSONALES EN ALGUN CENTRO COMERCIAL DE LA CIUDAD PREVIO DEPOSITO. SE REALIZAN ENTREGAS PERSONALES EN CARACAS LOS DIAS SABADOS SIN EXCEPCION. Libreria Kontak Alicia Keys Piano

BEHRINGER DIGITAL DELAY DD400 Digital Stereo Delay/Echo Effects Pedal Ultimate digital Delay/Echo effects pedal with 7 different modes - comparable to state-of-the-art studio processors This BEHRINGER product has been designed to compete head to head with leading products on the market 24-bit high-resolution stereo delay/echo with delay time up to 1.3 s and tap tempo feature Dedicated Mode, Time, Feedback and Level controls for awesome sound shaping Blue status LED for effect on/off and battery check Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany The BEHRINGER DD400 has an obsession with the past - the last 1.3 seconds of it, to be exact. What is delay? Delay is a synthetic echo that, in adjustable increments, repeats the notes you play on guitar. Each repeated tone becomes quieter than the previous one, until the repeats are no longer heard. This results in a thick, robust sound that can take on everything from the quick "slap" echo of classic rockabilly to the long, dreamy echoes found in psychedelic rock. Superior Sound This box will sing the fading, ghostly praises of every note you squeeze from your axe. With seven modes of delay to choose from, there is a vast pallete of echoes to explore with the DD400. Take advantage of its full 1.3-second memory or scale it back for a more abrupt echo. Just twist the dedicated Mode, Time, Feedback and Level controls to create the delay of your dreams. There is also a HOLD mode that allows you to loop a brief riff, then play over it. The blue LED tells you when it's on, and the first-class on/off switch maintains incredible signal integrity in bypass mode. You can power the DD400 with a 9 V battery or a DC power adapter. Value Giving your sound a transcendental twist has never sounded better, or been more affordable! When it's atmosphere your guitar craves, put the DD400 to work for you.. Amazon.com The Behringer DD400 has an obsession with the past--the last 1.3 seconds of it, to be exact. Add a little atmosphere to your bag of tricks with this delay stompbox. Add a little atmosphere to your bag of tricks. Click to enlarge. Select from various time ranges or use the hold setting for looping. Add Behringer's PSU-SB power supply or go with a 9 volt battery. What Is Delay? Delay is a synthetic echo that, in adjustable increments, repeats the notes you play on guitar. Each repeated tone becomes quieter than the previous one, until the repeats are no longer heard. This results in a thick, robust sound that can take on everything from the quick "slap" echo of classic rockabilly to the long, dreamy echoes found in psychedelic rock. Superior Sound This box will sing the fading, ghostly praises of every note you squeeze from your axe. With seven modes of delay to choose from, there is a vast pallete of echoes to explore with the DD400. Take advantage of its full 1.3-second memory or scale it back for a more abrupt echo. Just twist the dedicated Mode, Time, Feedback and Level controls to create the delay of your dreams. Tap Tempo You can set the DD400's delay time (up to the maximum 1.3 seconds) by entering tap tempo mode, which allows you to tap in the delay time with your foot, to easily match your delay time with whatever you're playing along with. Hold Mode The DD400 also boasts a HOLD mode, that lets you loop a brief riff, then play over it. Dependable Operation The blue LED tells you when it's on, and the first-class on/off switch maintains incredible signal integrity in bypass mode. And you get flexible powering as well--power the DD400 with a 9 V battery or a DC power adapter (not included). What's in the Box Behringer DD400 Digital Delay Pedal, User's Manual

It might first interest you to know that the most common piece of outboard gear being used by our subscribers is Yamaha's SPX90. Needless to say, since the SPX90 was first introduced, many other manufacturers have responded with more powerful processors, processors with simultaneous effects, 16-bit processing, and more. The SPX1000 is Yamaha's answer to the competition. It is a very healthy processor, and one we're likely to see popping up in studios everywhere for some time. Most obvious of the features are extended sample time (5.8 seconds), true stereo processing, and simultaneous multiple effects. The long sample time translates into added features in many of the programs. In the FREEZE programs (the digital sampling programs), you have a maximum recording time of 5.8 seconds. Three types of FREEZE programs are available, and all three programs allow recording and overdubbing with variable playback pitch. Sample start and end points can be set for editing purposes. This function also makes it possible to set a start point at the end of the sample and the end point at the start of the sample and get the sample to play backwards. FREEZE 2 adds the ability to set a loop point in your sample for looped playback. FREEZE 3 is a stereo sampling program. Sample time is cut in half (2.9 seconds) to accommodate simultaneous sampling of both left and right channels. The extended sample time also affects the DELAY L,C,R program. This delay is a little different from most in that it includes a third channel, the center channel. Delay time for each channel is adjustable from.1 milliseconds to 5.2 seconds. There are two feedback delay parameters for this program, each adjustable up to 5.2 seconds. Each feedback delay has a gain control to set the amount of repeats to follow the initial repeat. All these parameters make for an exceptional delay program with numerous possibilities for special effects. The STEREO ECHO program also takes advantage of the extended sample time and offers left and right channel feedback delays of up to 2.6 seconds along with an initial delay for each channel of up to 2.6 seconds. The reverb programs include HALL, ROOM, VOCAL, PLATE, ECHO ROOM, GATE REVERB, REVERSE GATE, and 3 EARLY REFLECTION programs. There is more than enough diversity in these reverb programs to handle any reverb need. Reverb time can be adjusted as high at 480 seconds. That's 480 seconds, not milliseconds! Various other parameters give you ample control over reverb characteristics. All bases are covered in the reverb section. Modulation programs include your basic STEREO FLANGE, CHORUS, STEREO PHASING, TREMOLO, and SYMPHONIC. These are all very good sounding programs, each with a number of adjustable parameters for modifying the effect. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

BATERIA ELECTRONICA ALESIS DM10 X KIT. (1.200 $$) Incluye: -1 Redoblante Pad de 12 Pulgadas. -1 tom Pad de 8 pulgadas. -1 tom Pad de 10 pulgadas. -2 granaderos Pads de 12 pulgadas. -1 Bombo Pad de 10 pulgadas. con su base. -1 Plato Hi-hat de 12 pulgadas con control por pedal. (pedal incluido) con su paral. -1 Plato Ride de 16 pulgadas (triple zona) con su paral. -2 Platos Crash de 14 pulgadas (doble zona) con sus parales. -1 Modulo DM10. -1 Juego de cables. -Manuales e Instrucciones de usuario. -Rack Cromado con todos sus accesorios de sujecion. !!ADICIONALMENTE INCLUIDOS EN LA VENTA!!: -1 Alfombra. -1 Silla de bateria. -1 Doble Pedal Tama Iron Cobra hp900 Power glide. -1 Par de Baquetas. Serious sizes, serious sound, and our finest hardware yet. The DM10 X Kit is a premium six-piece professional electronic drum set with 10" and 12" drum pads, 12", 14", and 16" cymbals, the top-of-the-line DM10 module and the best-in-class chrome-plated XRack. With an advanced sequencer and more than 1,000 sounds featuring Dynamic Articulation™ multi-sample technology, the DM10 X Kit will bring you professional capability in a kit that sounds as good as it looks. SERIOUS SETUP With the DM10 X Kit we've included a comprehensive set of large drum and cymbal pads, and an all-new XRack. The DM10 X Kit is designed to offer capabilities and features previously only available on kits costing thousands more. The DM10 X Kit features an expansive six-drum, four-cymbal configuration with sizes and spatial relationships that will feel natural to acoustic and electronic drummers alike: a 12-inch snare, two 10-inch toms, two 12-inch floor toms, a 12-inch hi-hat, a 16-inch, three-zone ride cymbal and two 14-inch crash cymbals. SERIOUS SUPPORT Designed with an emphasis on performance and adaptability, the DM10 X Kit’s all-new XRack is rugged, chrome-plated and features an ultra-solid four-post design. New Alesis quick-release clamps secure each pad in place and allow you to rearrange your setup in seconds without tools and without having to the rack apart. A few turns of a T-bolt is all it takes to release a clamp and move a pad. The DM10 X Kit’s snare pad comes with a separate, fully adjustable snare stand that allows you to place the snare pad precisely where you want it. SERIOUS SURFACES The DM10 X Kit also features Alesis’ acoustic-feeling RealHead pads in 10 and 12-inch sizes. The dual-zone pads feature real mylar drumheads and real triple-flanged counterhoops for the feel you demand. The snare and tom pads are dual zone, enabling you to perform rimshots, rim clicks or assign other sounds such as cymbals, gongs and cowbells on the tom rims. You can use virtually any single or double kick pedal with the RealHead Kick Pad, or split the DM10's kick input with a Y-cable and connect an optional second kick pad for the pedal feel you prefer. SERIOUS SMARTS At the core of the DM10 X Kit is the groundbreaking Alesis DM10 module. The DM10 hosts a built-in sequencer, metronome, top-panel mixer, and a variety of outputs. It also includes more than 1,000 uncompressed, sample-based sounds that were produced using Alesis’ proprietary Dynamic Articulation™ multi-sample technology. Not only does the DM10 deliver lightning-fast, uber-accurate tracking, the widest dynamic range of any module, incredibly drummer-friendly operation, a massive input section, but it also has the most realistic, natural sound set available in any drum module. Dig deeper into the DM10 module you'll find some of the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers' go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and a choice selection of classic drum machine and electronic percussion sounds that have fueled the biggest hit records. SERIOUS SAMPLES Discerning ears will notice that each sound is actually a series of different samples; multiple dynamic-level samples and articulations are all built in so as you play harder and softer, the drum or cymbal changes its timbre, not just its volume. This engineered realism is known as Dynamic Articulation™, an Alesis exclusive. You can play with or without reverb for different room sounds and enjoy a wide variety of rimshots, rim clicks and different stick-placement sounds on the cymbals. For example, a hi-hat’s sound depends on a number of factors: how open or closed the pedal is, how hard it is struck, and other variables resulting in 40 different sounds – plus foot chick and heel splash. Put simply, the DM10 X Kit has the most generous drum and cymbal pad configuration we’ve ever offered.

DEBIDO A LA FUERTE DEVALUACIÓN SOLO TRUMPS 80 PREGUNTE ANTES DE OFERTAR NUEVO The Classic Distortion features distortion effects that are re-creations of popular pedal and amplifier based distortions. We have chosen names for the distortions that will be suggestive of the sounds you will get with all the controls in the central part of their range. We are not trying to imply exact simulations of the various analog effects. Rather than attempt a mathematical modeling or emulation of classic sounds (which, incidentally, we think is really not possible with distortion), we offer a different take based upon ear and overall circuit function evaluations. There are 11 distortion algorithms and one CLEAN BOOST / TONE mode that are selectable with the main effect knob. The TONE control is specially tuned for each setting to give a preferred response. The frequency range used for the TONE control varies between settings. The CLEAN BOOST / TONE mode allows you to use the Classic Distortion to provide a volume boost to the signal with out distortion. However, if the signal is boosted too much it will begin to clip. If the DRIVE knob is turned up there will be a raspy sound as the signal peaks are hard clipped. In general, this doesn’t sound very good. However, if the DRIVE is cranked, the resultant distortion is not bad at all, despite consisting only of digital hard clipping. Don’t believe us? Give it a try. This distortion can be improved by rolling off the TONE control to reduce the high frequencies.

BEHRINGER ULTRA SHIFTER/HARMONIST US600 Ultimate Pitch Shifter / Harmonist Effects Pedal The ultimate Pitch Shifter/Harmonist to shift single notes and chords or even create intelligent harmonies to your notes - at the touch of a footswitch Real Sound Modeling (RSM) combines state-of-the-art DSP technology with sophisticated algorithms to emulate real acoustic environmentsThis BEHRINGER product has been designed to compete head to head with leading products on the market Take off with incredible Tremolo Arm/Flutter effects to bend single notes up to +/-2 octaves or simulate the movement of the tremolo barWide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band Dedicated Mode, Pitch, HR Key, Delay time/speed and Balance controls for awesome sound shaping Blue status LED for effect on/off and battery check Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Using the US600 ULTRA SHIFTER/HARMONIST is like having another guitar player in your band. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to ±2 octaves. Astounding Sounds Tremolo bars add a handsome shimmer to your guitar sound by detuning your strings and then returning them to pitch. And the sound of two guitars playing in harmony adds a soaring, heroic touch to an ordinary lead. The US600 is built to take the place of a tremolo bar AND a second guitarist. Its Real Sound Modeling (RSM) technology produces sophisticated algorithms that deliver the delicate harmonic overtones that are critical to creating realistic harmonies and transpositions. It's Easy The US600 stomp box offers 5 totally different-sounding Modes: Tremolo Bar, Flutter, Detune, Harmonist and Pitch Shifter. Pitch Shift and Tremolo Bar pitch can be shifted from 0 to 2 octaves; Harmonist pitch can be tweaked to track 3rds, 4ths, 5ths, 6ths, octaves or double octaves. There's a separate 10-step Key select control as well as Delay/Speed control and Balance to dial in how much effect you want to mix with a dry signal. A brilliant blue LED indicates power status and battery condition. The footswitch is ultra-strong to last through years of gigging. And in bypass mode, it preserves signal integrity by taking all pedal circuitry out of your chain. The US600 pedal is designed to give you the utmost flexibility, running on our BEHRINGER PSU-SB DC power supply or a typical 9 V battery. Bend It, Shape It! Plug into the US600 and take your guitar places it has never been. Now even a solitary guitarist whose axe sports a steadfast bridge can harness the power of harmony and tremolo! Amazon.com Using the US600 ULTRA SHIFTER/HARMONIST is like having another guitar player in your band. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to +/-2 octaves. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to +/-2 octaves. Click to enlarge. Selectable key for intelligent harmonies. Add Behringer's PSU-SB power supply or go with a 9 volt battery. Astounding Sounds Tremolo bars add a handsome shimmer to your guitar sound by detuning your strings and then returning them to pitch. And the sound of two guitars playing in harmony adds a soaring, heroic touch to an ordinary lead. The US600 is built to take the place of a tremolo bar AND a second guitarist. Its Real Sound Modeling (RSM) technology produces sophisticated algorithms that deliver the delicate harmonic overtones that are critical to creating realistic harmonies and transpositions. Versatile Sounds The US600 stomp box offers 5 totally different-sounding modes: Pitch Shifter: Adds a detuned signal to the original signal with a maximum of 2 octaves above or below. Harmonist: Adds harmonies to the original signal with a maximum of 2 octaves above or below. Detune: Adds a subtle detuned signal to the original signal with a maximum of 30 cents above or below. Tremolo Bar: Detunes the input signal with a maximum of 2 octaves above or below similar to the effect created with a guitar vibrato arm. Flutter: Detunes the input signal periodically with a maximum of 1 octave above or below similar to the effect created with a fast moving guitar vibrato arm. Pitch Shift and Tremolo Bar pitch can be shifted from 0 to 2 octaves; Harmonist pitch can be tweaked to track 3rds, 4ths, 5ths, 6ths, octaves or double octaves. There's a separate 10-step Key select control for ensuring the harmonies fit the key in which you're playing, as well as Delay/Speed control and Balance to dial in how much effect you want to mix with a dry signal. Dependable Operation A brilliant blue LED indicates power status and battery condition. The footswitch is ultra-strong to last through years of gigging. And in bypass mode, it preserves signal integrity by taking all pedal circuitry out of your chain. The US600 pedal is designed to give you the utmost flexibility, running on Behringer's PSU-SB DC power supply or a typical 9 V battery. Bend It, Shape It Plug into the US600 and take your guitar places it has never been. Now even a solitary guitarist whose axe sports a steadfast bridge can harness the power of harmony and tremolo! What's in the Box Behringer US600 Pedal, User's Manual

M-Audio Octane 8-channel Microphone/Instrument Preamp and A/D Converter with ADAT Lightpipe Expand The Use of Your DAW! The 8-channel Octane preamp from M-Audio is specifically designed to enhance the front end of any multitrack digital recording system. Its award-winning M-Audio preamp technology delivers pristine digital signals to any Lightpipe-compatible devices such as hard disk recorders and digital mixers. Octane is ideal for miking drum kits or bands-and the two mic/instrument channels are great for guitar, bass and other instruments. M-S matrix encoding found in the Octane lets you employ stereo miking techniques previously available only in pro studios. Octane even has M-Audio analog preamp (direct) outs for each channel, making it the perfect upgrade for any digital audio interface or mixer. Word clock also means that you can sync multiple Octanes for as many channels as you need as your studio grows. M-Audio Octane Features: 8 mic preamp channels, 2 w/instrument inputs 8 line inputs ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout 3-segment LEDs 20dB pad phantom power with indicator (groups 1-4, 5-8) 2 channels are mic/instr preamps (front-panel 1/4" TS) ADAT Lightpipe output (TOSlink) 24-bit audio resolution throughout selectable sample rate (44.1k and 48k) and external sync word clock I/O (75-ohm BNC) for synchronization to other digital devices line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control phase reverse switches on even channels low-cut filter on channel 1 (-12dB/oct @ 80Hz) OVERVIEW High-octane preamplification with all the versatility you need! The M-Audio Octane 8-Channel Mic Preamp with ADAT Lightpipe adds connectivity and studio-quality preamps to your recording rig. Excellent for input-hungry miking applications. 2 mic/instrument channels provide input for guitars, basses, keyboards, and other instruments. Enables sophisticated stereo miking. Analog preamp direct outputs on every channel. ADAT lightpipe output. Word clock lets you sync multiple units. FEATURES 2 channels with mic/instrument preamps (front-panel 1/4") ADAT Lightpipe output (TOSlink) 24-bit audio resolution Selectable sample rate (44.1k and 48k) and external sync Word clock I/O (75-ohm BNC) for synchronization to other digital devices Line inputs are half-normalled as insert ins or standalone A/D M-S matrix encoding on channels 7 & 8 with width control Phase reverse switches on even channels Low-cut filter on channel 1 (-12dB/oct @ 80Hz) 8 channels, each with: XLR mic input 1/4" TRS line input 1/4" preamp out 3-segment LEDs 20dB pad Phantom power with indicator (groups 1-4, 5-8) SPECIFICATIONS Mic Inputs Variable Gain: 50dB Frequency Response: 20-20kHz, +/- 0.11dB; mid gain Signal-to-Noise Ratio: 120dB, A-weighted; mid gain Dynamic Range: 120dB, A-weighted; mid gain THD+N: 0.00041% -107dB, 1dB below clipping, 22Hz-22kHz; mid gain EIA Noise Rating: -129dBu @ max gain, 600 ohms, 22Hz-22 kHz (unweighted) Input Impedance: 2.85k ohms, no pad; 3.600k ohms, pad engaged Instrument Inputs Input Impedance: 3M ohms Variable Gain: 44dB Frequency Response: 20Hz-20kHz, +/- 0.03dB; mid gain Signal-to-Noise Ratio: 133dB, A-weighted; mid gain Dynamic Range: 133dB, A-weighted; mid gain THD+N: 0.0018% -95dB, 1 dB below clipping, 22Hz-22kHz; mid gain System Throughput Gain: 6dB to 50dB (balanced out); 0dB to 44dB (unbalanced out) Line Inputs Line Input Impedance: 20kOhms (balanced), 13.3k ohms (unbalanced) Frequency Response: 20Hz-20kHz, +/- 0.04dB Signal-to-Noise Ratio: 110dB, A-weighted Dynamic Range: 110dB, A-weighted THD+N: 0.00067% -103dB, -1dBFS, 22Hz-22kHz Additional Features Maximum Rated Analog Output (Digital Clip): +26 dBu (balanced), +20 dBu (unbalanced) Output Impedance: 600 ohms (balanced) M/S matrix: L=M+S/3 and R=M”S/3 Digital Clip Level at Line Inputs: +20dBu Channel Quasi-Peak Level Indicators: Light 3dB, 10dB and 20dB below digital clip Word Clock Range (Switchable): 44.1kHz, 48kHz and external Word Clock Slave Sync Range: 33kHz to 59kHz Word Clock Impedance: 75 ohms Power: 18 VAC (16.5 VAC minimum) @ 3.5A inline power adapter USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta

Get the most from your Line 6 amp and POD with FBV Shortboard Mk1 foot controller! FBV Shortboard Mk1 isn’t your average foot controller. It’s a full-on remote control that keeps you at the foot of the stage instead of tied to the front of your Line 6 amp or POD. It offers all the classic advantages you expect from a Line 6 foot controller, including rock-solid channel switches, a rugged wah/volume pedal and an oversized backlit display, but it’s also full of surprises. The steel footswitches give you total control over your tone. Dedicated footswitches let you change, scroll and select presets with uncompromised speed, add or remove effects in an instant, synchronize all your time-based effects with Tap Tempo, and more! Load up to 64 presets in the 4 banks. Adding individual or simultaneous effects on top of each preset allows for on-the-fly colorization and customization of your tones. An added bonus: the well-spaced footswitches are conveniently laid out so that you’re not stepping on two at once (unless you want to)! The burly, full-sized pedal feels solid under your foot and features plenty of grip. Click the toe to volley back and forth between volume and wah-wah control. (Adding an expression pedal provides dedicated volume control.) Oversized and backlit, the LCD is big, bright and easy to read. It shows you everything you need to know including preset. FBV Shortboard Mk1 also features a USB jack that can be used for upgrading the firmware. Perfectly paired with Spider IV FBV Shortboard Mk1 provides complete, hands-free control of the looper, pitch-shifter and other on-board effects. FBV Shortboard Mk1 is compatible with most Line 6 amplifiers and POD processors. Compatible With: Spider Valve, Spider Valve MKII, Spider II, Spider III, Spider Jam, Spider IV, Flextone III, Vetta, Vetta II, HD147, POD 2.0, POD XT, POD XT Pro, POD X3, POD X3 Pro, Bass POD XT, LowDown, POD HD NOT compatible with: Ax212â„¢, Flextoneâ„¢ I, II or HD, POD® Pro, Bass POD®, Bass POD® Pro and Spider 1 *FBV Shortboard is not compatible with with Spider II 15 or Spider III 15. **FBV Shortboard is only compatible with POD 2.0 units with pedal jacks labelled "FBV Pedal." It is not compatible with older units which have pedal jacks labelled simply "Pedal." ****FBV Shortboard Mark 1 is not officially supported for Spider V, but it will not damage the amp. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO

Classic mid 90s digital effects unit, with 106 dB of dynamic range.The Yamaha SPX990 is industry standard and found in front-of-house racks all over the world. As well as excellent sound quality and versatile programming it also has the advantages, for live sound, of patch storage on an optional removable card and pre-selection of patches. From the owner's manual: "The Yamaha SPX990 offers 80 preset effect programs including accurate simultaneous natural reverberation and early reflections, delay and echo effects, gated effects, a versatile compressor, delay harmonic driver, multiple effects, freeze (sampling) programs which can do loop playback and others. With a sampling frequency of 44.IkHz, the Yamaha SPX990 delivers full, flat frequency response from 20Hz to 20kHz for exceptionally clean, "transparent" effect sound and direct digital interfacing capability making it compatible with the most up-to-date sound system. The preset effect programs can be edited, re-titled and stored in any of the 80 RAM memory locations. Individual 3-band parametric EQ and dynamic filter parameters are provided for each effect program for precise tonal tailoring. In addition to the basic effect and EQ parameters, the Yamaha SPX990 offers a list of "internal parameters" which provide exacting control over the effect sound. The Yamaha SPX990 is also MIDI compatible, with a MIDI IN terminal that allows MIDI selection of effect programs and a switchable MIDI THRU/OUT terminal. When switched to OUT, edited programs stored in the internal RAM can be dumped to a MIDI data recorder or other data storage devices. Programs thus stored can be reloaded when necessary via the MIDI IN terminal. As an extra touch of convenience, the Yamaha SPX990’s analog input and output terminals can be switched to match -20dBm or +4dBm line levels, providing compatibility with a broader range of sound equipment. Convenient external data storage is provided by a card slot that accepts optional RAM cards that can be used to store effect programs." Features 20-bit analog-to-digital and digital-to-analog conversion sampling at 44.1 kHz 80 preset memory locations 100 internal User memory locations 100 User memory locations available on optional memory card MIDI control of parameters and patch change Tempo-based Delay Time Programming 3-stage effect configuration Pre-Effects 3-band PEQ Compressor Harmonic Driver Compressor, Dist. and EQ Main Effects REVERB: Reverb, Filtered Reverb, Stereo Reverb, Echo Room EARLY REFLECTIONS: Thin Early Reflection, Fat Early Reflection, Gate Reverb, Reverse Gate DELAY and ECHO: Delay L, C, R, Echo, Multi Tap Delay, Stereo Echo, Tempo Mono Echo, Tempo.Stereo Echo, Tempo Quad Echo MODULATION: Flanger, Dual Flanger, FM Chorus, AM Chorus, Phaser, Symphonic PITCH CHANGE: Mono Pitch Change, Dual Pitch Change, Triple Pitch Change, Stereo Pitch Change; PAN: Auto Pan, Triggered Pan COMPLEX EFFECTS: Chorus and Reverb, Symphonic and Reverb, Flanger and Reverb, Reverb (L) / Reverb (R), ER (L)/ Reverb (R), Echo (L) / Reverb (R), Chorus (L) / Reverb (R), Pan (L) / Pan (R) FREEZE: Freeze Post Effects 3-band PEQ Compressor Harmonic Driver USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

The COOLTRON Snake Charmer Compressor pedal uses a 12AU7 preamp-type tube at low voltage to deliver the kind of tone that, until now, would have been impossible to achieve in a battery-powered pedal. Tame your tone with the Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmer's compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant. There's also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer effect pedal is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal. Want to know how it all works? Normally, tubes are used at high voltages and this restricts their use in battery-powered devices such as guitar effects pedals. Historically, attempts have been made to use tubes at low voltages in what has been dubbed "starvation" mode, but these circuits don't allow the tube to function in an acceptable manner. The tube simply cannot be biased to a satisfactory operating condition. Plus, the necessary heater (filament) current is too high to deliver acceptable battery life. Imagine how annoying it would be to have to change batteries every ten minutes during a gig! Here's what makes the Vox COOLTRON system tick. The COOLTRON circuit basically operates by using two very special signal paths. The first is the servo circuit, which provides the right conditions between the plate of the tube and the grid. This achieves controllable, stable parameters for the tube and provides the correct operating conditions for the tube to function as it would if run at a higher voltage. The second circuit is a patented power supply that provides a low voltage, low current supply to the heater elements in the tube. Since the tube is now running at such a reduced supply level, the anode current is much smaller than normal. This means that the amount of heat required at the cathode to achieve sufficient cathode current emission is much smaller ” hence the ability to run the heaters at a lower level and for COOLTRON guitar pedals to run for 16 hours on 4 x AA batteries! The COOLTRON system provides true tube sonic performance at very low voltage and at reduced heater current ” ideal for inclusion into the COOLTRON Snake Charmer Compressor pedal. SPECIFICATIONS Connection: Input: x1 (guitar input), Output: x1 (line output) Input / Output Impedance: 830 k-ohm / 4 k-ohm Tube: 12AU7 (ECC82) Power Supply: Four AA alkaline batteries or DC9V AC adapter Battery Life: Approx. 18 hours Current Consumption: 95 mA Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63" (W) x 6.12" (D) x 2.52" (H) Weight: 1,007 g USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Autoflash Speedlite compatible with Canon EOS SLR cameras Accurate exposure with E-TTL II evaluative flash metering High output with maximum guide number 58 at 105mm setting Autozoom and color temperature information for improved flash Fully featured wireless flash capability with built-in slave and transmitter Product description A powerful flash with a maximum guide number of 58/191 at ISO 100 in meters/feet (at 105mm focal length), This Speedlite replaces the 550EX and features faster recycling, more consistent color and enhanced controls The Speedlite 580EX flash is compatible with Canon's E-TTL II (Evaluative Through The Lens) auto exposure technology. When combined with a compatible Canon camera, E-TTL II utilizes subject distance and other information that automatically modifies flash power, resulting in accurate flash exposure regardless of subject size, reflectance, or photographic composition. The Speedlite 580EX flash is compatible with all film and digital EOS cameras as well as G-series and Pro-1 PowerShot digital cameras. The flash includes two features especially for digital photography. EOS 20D and EOS-1D Mark II** digital SLR users will especially appreciate the Speedlite 580EX flash's ability to auto-compensate for the size of the CMOS sensor, and zoom the flash head automatically to match the effective focal length conversion. This feature allows the Speedlite 580EX flash to maximize the efficiency of its light distribution and produce more flashes from a set of batteries. When used with the EOS 20D or 1D Mark II** digital SLR cameras, the flash and camera communicate to make fine adjustments to auto white balance by electronically monitoring the charge level of the batteries and the duration of each flash burst, resulting in consistently accurate color for every sh Note: The Canon Speedlite 550EX Flash has been replaced by the Canon Speedlite 580EX Flash. The built-in flash on Canon's Prosumer DSLR lines is generally considered inadequate for most serious purposes. The Canon accessory flashes such as the Canon Speedlite 550EX Flash are much more versatile and powerful. The 550EX gets the light far above the lens (prevents half-moon shadows in your pictures) and does a much better job preventing the red-eye effect. The 550EX allows bouncing the flash off of a standard height ceiling or off of other reflectors such as white walls, white foamcore, Photoflex and other commercial reflectors,... The 550EX also allows the use of light softening and modifying accessories such as the Lumiquest Big Bounce, the Lumiquest Softbox, and the Sto-Fen Omnibounce. Another benefit of Canon's accessory flashes is that they significantly help focusing on many EOS cameras. A pattern of the focus assist light projected by the flash helps the camera focus faster and more accurately - even on a low contrast surface such as a white wall. The focus assist feature can make or break a shot in low light situations! The Canon Speedlite 550EX Flash is the largest and second most powerful of the Canon general purpose flashes.

MPX 500 multi-effects processor costs twice as much as Lexicon's entry-level MPX 100. That may seem like quite a price vault, but keep in mind that this unit costs only half as much as the flagship MPX 1, making it attractive to those who yearn for more features and programmability yet hesitate to drop more than a grand on an effects processor. Despite its moderate price, the MPX 500 is powered by Lexicon's proprietary Lexichip (the same chip used in the costlier MPX- and PCM-series effects processors) and boasts 24-bit digital converters and 24-bit internal processing. Additionally, S/PDIF digital inputs and outputs let you connect the unit directly to digital mixers, hard disk recorders, and other digital devices, bypassing the converters altogether. Rather than taking the every-effect-imaginable-and-then-some approach common to many multi-effects units, the MPX 500 offers a maximum of two simultaneous effects that are configurable in a variety of useful ways. It also provides fairly extensive program-editing capabilities, including four dedicated Edit knobs for near-instantaneous tweaking. The emphasis is clearly on usable presets, with 240 preset programs that need little or no tweaking and cover a wide variety of effects-an important feature when there are only 30 user-program memory locations. USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO PAGO ENVIO Y ENTREGA: POR MRW o TEALCA UNA VEZ CONFIRMADO EL PAGO, EL PRODUCTO SERA ENVIADO EN UN PERIODO DE 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW O TEALCA MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCADO Mis Artículos a la venta

Double the drive with the Vox Duel Overdrive pedal. With two overdrive circuits based on Vox's Big Ben Overdrive pedal, the Duel Overdrive provides footswitchable access to two sounds from a trunk full of classic and modern tones. With separate gain, volume and tone controls, you can set the pedal up with two totally independent overdrive sounds to compliment a clean-bypassed tone. To make it even more flexible, Vox added an assignable low-end bass boost function for fat-bottomed overdrive tones. Add the Duel Overdrive to your existing pedal setup and benefit from an unmistakably "real" valve overdrive. A tube in a pedal? Pretty cool. The COOLTRON series of effect pedals use a 12AU7 preamp-type tube at low voltage to deliver the kind of tone that, until now, would have been impossible to achieve in a battery-powered pedal. Want to know how it all works? Normally, tubes are used at high voltages and this restricts their use in battery-powered devices such as guitar effects pedals. Historically, attempts have been made to use tubes at low voltages in what has been dubbed "starvation" mode, but these circuits don't allow the tube to function in an acceptable manner. The tube simply cannot be biased to a satisfactory operating condition. Plus, the necessary heater (filament) current is too high to deliver acceptable battery life. Imagine how annoying it would be to have to change batteries every ten minutes during a gig! Here's what makes the COOLTRON system tick. The COOLTRON circuit basically operates by using two very special signal paths. The first is the "servo circuit," which provides the right conditions between the plate of the tube and the grid. This achieves controllable, stable parameters for the tube and provides the correct operating conditions for the tube to function as it would if run at a higher voltage. The second circuit is a patented power supply that provides a low voltage, low current supply to the heater elements in the tube. Since the tube is now running at such a reduced supply level, the anode current is much smaller than normal. This means that the amount of heat required at the cathode to achieve sufficient cathode current emission is much smaller ” hence the ability to run the heaters at a lower level and for COOLTRON pedals to run for 16 hours on 4 x AA batteries! The COOLTRON system provides true tube sonic performance at very low voltage and at reduced heater current ” ideal for inclusion into guitar effects pedals. COOLTRON guitar effects pedals offer valuable tube type sonic performance. SPECIFICATIONS Input: 1 guitar input Output: 1 line output Controls: gain, tone, volume, bass boost Tube: 12AX7 Power: 4 x AA batteries allows 16 hours of operation Dimensions: 6.63" W x 6.12" H x 2.52" D Options: 9V AC adapter USUARIOS DE MENOS DE 200 POSITIVAS O USUARIOS NUEVOS, SOLO SE ENTREGARA Y PROBARA EN PERSONA PREVIO DEPOSITO O TRASFERENCIA BANCARIA ENVIO Y ENTREGA: POR MRW UNA VEZ CONFIRMADO EL DEPOSITO, EL PRODUCTO SERA ENVIADO EN LA MAYORIA DE LOS CASOS EN 2 DIAS HABILES A MAS TARDAR.EN CASO DE ENVIO EL PRODCUTO SOLO SERA ENVIADO A LA OFICINA DE MRW MAS CERCANA AL DOMICILIO O TRABAJO DEL COMPRADOR PARA QUE LA PASE BUSCANDO Mis Artículos a la venta